faszinierend, wie die unterschiedlichen production values von deep house, afrobeats, synthesizer-disco, smooth-jazz und neo-trance hier ineinandergreifen - mit diesem album ist padilla ganz auf der hšhe der zeit. groove (mai/juni 2015)

strut praesentiert hardcore traxx: dance mania records 1986-1997, die erste definitive retrospektive von chicagos wichtigstem housemusic label. das label half bei der etablierung des ghetto-house-sounds und repraesentierte die street level clubkultur in den neunziger jahren. es entstand als raue alternative zu trax und dj international mitte der 80er jahre

while the record can be enjoyed in one long listen, there are going to be different tracks that speak to individual listeners. clouded is one of the stronger arrangements, taking the sonic sweeps often heard from marcel dettmann or function and filling the surrounding space with dreamy samples and warm bass. stems is playful and fluid, and the records opener, rise is an eerie and melodic tinkering intro. as a whole, the release of hinterland on ghostly international is a perfect marriage the label has always had an affinity for music with depth and frequencies that can magnetize a wide variety of listeners

nearly three years after the release of his debut album lucky shiner, gold panda returns with his second album half of where you live, to be released on ghostly international and his own notown label (uk). the album is the product of a period spent touring the world multiple times around, absorbing influences and probing potential new avenues of creative exploration.

>a good friend of ours said after hearing an advance copy of this record that adult. used to sit on the sidelines and critique the idiosyncrasies of culture, but now we are on the inside, sending our message out.< so says adam lee miller of the way things fall, adult.s fifth album and a record that genuinely deserves the oft abused music industry epithet longawaited. miller pauses before adding wryly, >we agree.<

cult combo hiem finally get round to releasing their first full length long player escape from division street through the new startalk international imprint

more than one hundred gigs in the past five years, for example at festivals like sonnemondsterne, nature one and summer spirit and at clubs like tresor, m-bia & schšnwetter berlin, butanclub wuppertal or bki hamburg perthil & aerts have left their explicit trace. remixes from or for musicians like gabriel ananda, axel bartsch and douglas greed or dj emerson, dan drastic and frank mŸller (beroshima) proof their production skills, released on various national and international labels like capsula, by sasha carassi and ready2rock, by nihil young - both based in italy. in 2012 perthil & aerts lauched their own label named authentic pew with releases by jonas kopp, markus suckut, kevin gorman, oliver dodd, gareth wild and dax j - and of course: perthil & aerts

this is the new cafe ole 2012 collection, containing twenty songs on a double cd mixed by the international djs and caf eole summer 2012s residents albert neve and rafha madrid.

choir of young believers, led by jannis noya makrigiannis, garnered an imposing number of accolades in their danish homeland for a debut full-length. that release, this is for the white in your eyes, signaled the arrival of a powerful new talent, possessed of a fully formed vision, arch compositional ingenuity and a tenor to die for. while white in your eyes racked up overwhelmingly positive international press, it can practically be seen as a soft launch for choir of young believersÕ masterful rhine gold.

it s been quite a year so far for x-press 2 not only are the legendary dance floor vanguards at the pinnacle of the international dj fraternity, they remain all round purveyors of the uks finest house music, and with that to start the new year off nicely the eclectic duo are set to release their eagerly anticipated third studio album offering the house of x-press 2.

following on from the debut artist album from marco bailey and the second album from guy j which have both been well received internationally amongst press and public alike as well as huge compilation releases from label owner john digweed himself in the form of the structures and bedrock 12 releases. following on from the second instalment of the structures series bedrock proudly present the debut artist album from rising star stelios vassiloudis titled -it is what it is-. a fantastic double cd release showcasing forward thinking music and once again showing why bedrock is one of the leading labels in the electronic scene. in addition to the many original pieces of work on this album, stelios has also teamed up with a vast array of talented vocalists and song writers. -the z- is a collaboration between himself and sasse who owns and releases music on his esteemed mood music label. based in berlin sasse has a long history of successful releases and support from some of the biggest names in the scene. john dalagelisinvolvement with the project (he co-engineered and co-produced the continuous mixes) resulted in him contributing his songwriting and studio finesse to -sunrise on the avenue-. john runs the very hip dieb audio imprint and has released music on a wide variety of labels over the years. the album is rich with the many vocal talents it hosts with notable contributions from the likes of astrid suryanto, tomomi ukomori, anna maria x and darren murray. astrid has an established history of working with some of the greatest names in electronic music such as todd terry, king britt, dj yellow and morgan page as well as a plethora of great labels like nervous, plastic city and armada amongst many others. based in japan, tomomi ukomori has also worked on stellar releases with key labels in that territory like avex, apt international and green parrot recordings working with the likes of mathias kaden, hernan cattaneo, omb and hideo kobyashi. anna maria x is a name synonymous with the music scene in greece whether it be as a dj or a producer/singer. anna has been one of the main names in the electronic scene being involved in clubs, radio and of course a whole host of releases with her studio partner, gpal.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. bundicks latest is no sloppily assembled bunch of pine session throwaways. the freaking out ep was put to tape in june during a period of touring quiescence. the release finds bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the gap band and mtume. while the first two tracks are modern takes on the 80s post-disco vibe, -sweet- sounds like the product of a todd edwards and teddy riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples. the new jack influence spills over into the cover of cherrelle and alexander oneills -saturday love-, in which a swingbeat carries along fluttering piano lines steeped in delay. the eps crown jewel, -i can get love-, sees bundick assimilating styles of each of his to-date releases, with the synthesized funk of causers of this, the irresistible hooks of pine, and dance alias les sins penchant for filter effects and house beats. full of energy and crafted with a conciseness that begs repeated listens, freaking out is toro y mois most concentrated venture into pure dance floor hedonism.

for the past decade or so, polish musician michal jacaszek has been exploring a new, resolutely modern chapter in eastern europes long, storied love affair with classical music. his creations are painstakingly crafted collages of electronic textures and baroque instrumentation, harpsichords being swarmed by woolly static one minute and pulled apart by billowing wind the next. ambient music - if we can generalize unnecessarily for a second - is rarely so sonically challenging.

australian pressing of this 2011 collection of rarities and non-album tracks from the queen of modern soul. sharon jones & the dap-kings have developed an international reputation as the #1 group on todays soul scene. soul time is an exploration of the full range of their dynamic sound through 12 songs handpicked by the daptone records gang, each one a precious exclusive. the needle drops on genuine pts. 1 & 2, a supercharged funk arrangement that evokes the late godfather not only with the spirited syncopation of the dap-kings rhythms, but also with the raw power of jones voice. it is performances such as these that have earned her the moniker the female james brown. though it has long been one of their best-selling singles, it makes its album debut here. longer and stronger, written for her 50th birthday, is a deep mid-tempo soul celebration of the strength and determination with which sharon jones has earned her long overdue success. whether youre a lifetime fan, or just getting turned on, sharon jones & the dap-kings have yet again made a record that will blow your mind.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

der aus sizilien stammende und auf jamaika residierende alborosie aka alberto d ascola, prŠsentiert sein zweites album fŸr greensleeves! nach der >escape from babylon< wird jetzt nŠgel mit kšpfen gemacht und die revolution gleich doppelt angegangen - nicht ohne augenzwinkern, aber auch mit dem nštigen ernst thematisiert alborosie was unsere welt derzeit in atem hŠlt. die cd kommt mit 16 tracks und hat Ÿber 50 minuten spielzeit, eine ganz spezielle reise durch die urbanen dschungel & gedankenwelt unserer zeit an der keiner vorbei kommt - brilliant!

closely related to underground resistance, scan 7 is a mysterious detroit underground collective gathering seven artists. the group is most famous for its ninja like appearances, often dressed in black with black masks and hats, the use code names to protect there true identification, they believe its not who you see, but what you hear that is the most crucial element in techno! associated with such labels as underground resistance, soma & f communications, scan 7 via their own imprint have brought together a double cd of detroit influenced techno.

hipster metropole brooklyn: von da aus bastelt der us-japaner shigeto seine abstrakten hiphop, besser mal: glitch-hop oder wonky beats. in den letzten jahren hat der beatschmied diverse eps produziert. dunkle jazz melancholie, dubstep bŠsse, ambient und hiphop schaffen gro?es. freunde von flying lotus, mount kimbie, samiyam und hudson mohawke dr?cken sofort auf den imagin?ren >gef?llt mir

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched

feat. going home, you dont know and the massive hit the perch

90s-inspired rave

rsd release, 1000 only, black vinyl

limited tape release of the new album from khruangbin.

the new album from khruangbin on classic black vinyl.

the new album from khruangbin on limited soleil coloured vinyl.

vinyl only

2024 repress

dies ist die zweite auflage der begehrten spectrum lp von shook. es zeigt den funky track -milestones-, der durch seinen better call saul soundtrack (netflix 2015, se01e01) international bekannt wurde. die tracks auf diesem album könnten als -east meets west- -album mit französischen einflüssen elektronischer musik für japanischen technopop und jazz-funk gesehen werden.

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

hiphop / rap international

get physical presents: cocada is a brand new compilation put together in cooperation with the brazil music conference, and is compiled and mixed by local and long time star leo janeiro. all bar one of the 14 tracks is exclusive, and all come from exciting brazilian talents, making for a great window into the scene. Ôcocada is a word that evokes strong childhood memories for all brazilians. it is a delicious coconut sweet which, says the label, is a little surprise in the middle of an ordinary day that makes you appreciate all the good things of brazil. as such, it is a perfect name for this selection which features tracks from big and emerging names alike. under the name cocada well be launching music and organizing workshops and parties, in order to bring greater visibility to the electronic music being produced in brazil and throughout latin america, says get physicals managing director roland leesker. our desire is to create an international platform both for emerging underground producers and well-known artists, a&r manager matt plessis adds. cocada is very sweet and we want to give the world an opportunity to taste some of those powerful delights that have been produced in brazil,. among the albums more established producers is hnqo, who runs the playperview label and has released on hot creations. his track Ôsorrow is a moody cut with a shapeshifting lead synth that brings a zoned out feel.